臺灣大學 臺灣文學研究所

 鄭芳婷 教授
專任教授
職稱 副教授
姓名 鄭芳婷 教授
最高學歷 美國加州大學洛杉磯分校戲劇表演學系博士
研究方向 台灣戲劇、酷兒研究、島嶼論述、當代批判理論
授課領域 在地酷兒文學與網路社群文化、台灣當代經典劇本選讀、從酷兒文學與電影凝視台灣、女性主義理論選讀、時間性與空間性理論選讀、台灣文學與文化專題研究、文學理論與文學研究方法
聯絡電話 02-33664783
電子郵件 fantingcheng@ntu.edu.tw
年度 論文名稱
2020 Fan-Ting Cheng, Towards A Contemporary Queer Pop Theater: the feminine fascinations of Dress in Code, Feminist Media Studies
2020 Fan-Ting Cheng, Visioning An Island Queer Tactics: Huang Hui-chen’ Documentary Feature Film Small Talk, Continuum, 4, pp530-542
2019 Fan-Ting Cheng, Theorizing TL Aesthetics: Forming Femme Gaze Through Yes or No 2.5, Journal of Lesbian Studies
2019 鄭芳婷, 當代愛滋社群政略之悖論:《叛徒馬密可能的回憶錄》之戲劇批判戰術, 中外文學, 3
2019 鄭芳婷, 熹微但有光:重思臺灣酷兒表演藝術, 婦研蹤橫, pp6-9
2018 鄭芳婷, 耽美批判:台灣當代肚皮舞現象的陰性情境, 女學學誌, pp39-71
2018 鄭芳婷, (被)誤差:《姊夠甜.那吸》戲劇草稿之文化意義, 哲學與文化, pp65-84
2017 鄭芳婷, 窘境美學:台灣時尚部落格中的後殖民與後女性政略, 文化研究, pp137-167
2017 鄭芳婷, 酷兒感官書寫: 徐堰鈴《踏青去》(2015)的戲劇策略, 女學學誌, pp153-196
2016 鄭芳婷, 在地劇場與渣滓美學:《姐夠甜.那吸》的台式酷異戰術, 戲劇研究, pp73-108
2016 鄭芳婷, 當代數位史詩:《空的記憶》的酷異政略與鬱結美學, 台灣舞蹈研究, pp1-30
2016 鄭芳婷, 數位離散與酷兒想像:以批踢踢拉板及彩虹山莊為例, 考古人類學專刊, pp51-82
2015 鄭芳婷,王威智, 受逐抗爭主體的自反性戲劇政略:讀演劇人《玫瑰色的國》, 戲劇研究
2014 Cheng, Fan-Ting, “Haomin Gong, Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China.” 〔《不平等之現代性:後社會主義中國的文學、電影與論述》書評〕, Chinese Literature Today
2014 Cheng, Fan-Ting, “Toward a Queer Island Disidentification of Taiwan: Golden Bough Theatre’s Pirates and Formosa.” 〔台灣酷兒島嶼抵認同:金枝演社《黃金海賊王》〕, Third Text
2013 Cheng, Fan-Ting, “Dreamers’ Nightmare: The Melancholia of Taiwanese Centennial Celebration.” 〔夢想家之夢魘:台灣百年國慶之鬱結〕, Asian Theatre Journal
年度 論文名稱
2019 Cheng, Fan-Ting, Performing Queer Intervulnerability: The Theatrical Disidentification of Skin Touching., “Global Sexualities: Qiu Miaojin and Queer Sinophone Cultures”Conference, N/A
2019 Cheng, Fan-Ting, The Corporeal Turn of Malaysian Chinese Literature Theatre in Taiwan, Association for Asian Performance Annual Conference, N/A
2019 Cheng, Fan-Ting, The Hybrid Theatricality of Contemporary Taiwan Theater., "Hybrid Practices: Methodologies, Histories and Performance" Annual Conference, N/A
2019 Cheng, Fan-Ting, Reimaging The Boundaries Between Performance and Protest., Asian Theatre Working Group Seoul Colloquium “Expanding the Boundaries of Theatre” International Federation For Theatre Research, N/A
2019 Cheng, Fan-Ting, Visioning An Island Queer Tactics: Huang Hui-chen’ Documentary Feature Film Small Talk (2017), Modern Language Association Annual Conference, N/A
2018 Cheng, Fan-Ting, Performing Hyper-corporeality: Malaysian Chinese Literature Theatre in Taiwan., JOINT INTERNATIONAL WORKSHOP WITH ASIA THEORIES NETWORK, Souths of Asia: Aesthetics, Theory, Archive, Taipei, Taiwan
2018 Cheng, Fan-Ting, The Queer-Asian Reorientation in The Theatrical Aesthetics of Ear East Ensemble’s Dress In Code., American Society for Theatre Research Annual Conference, N/A
2018 鄭芳婷, 當代藝文混種中的受逐者聯盟:以前叛逆男子《新社員》為例, 「第三屆文化流動與知識傳播──台灣文學與亞太人文的跨界與混種」國際學術研討會, Taiwan
2018 Cheng, Fan-Ting, Performing Divergence: The Theatrical Schema of Tainaner Ensemble’s Belle Reprieve., Association for Asian Performance Annual Conference, Taiwan
2018 Cheng, Fan-Ting, Theatrical Schema As Cultural Critique And Its Zeitgeist: Take Tainaner’s Belle Reprieve As Example, International Symposium Literary freedom of expression and democratic regimes, N/A
2018 Cheng, Fan-Ting, Towards A Taiwanese Queer Tactics: Huang Hui-chen’ Documentary Feature Film Small Talk (2017), Asian Studies Conference Japan, N/A
2018 鄭芳婷, 當代耽美批判與弱勢聯盟:以《新社員》為例, 「文化在民間」文化研究年會, Taiwan
2017 鄭芳婷, (被)誤差:《姊夠甜.那吸》戲劇手稿之文化意義, 「圖式哲學與草稿藝術」國際學術研討會, Taiwan
2017 Cheng, Fan-Ting, Towards A Xiqu Queer: The Theatrical Tactics of Skin Touching, Association for Asian Performance Annual Conference, Taiwan
2017 鄭芳婷, 『台灣文學英譯叢刊』中的戲劇與女性議題潛力, 《台灣文學英譯叢刊》二十週年, Taiwan
2017 Cheng, Fan-Ting, Island Imaginaries and Rhizome Tactics 〔島嶼想像與根莖策略〕, Performance Studies international, Hamburg, N/A
2017 Cheng, Fan-Ting, Forming A Minor-transnational Democracy: Wang Mo-Lin’s Antigone (2013) International Symposium Literary freedom of expression and democratic regimes, Censorship and self-censorship today, Taiwan
2017 Cheng, Fan-Ting, Towards A Minor-transAsianal Protest: Wang Mo-Lin’s Antigone (2013) 〔微跨亞抗爭:王墨林《安蒂岡妮》〕, Association for Asian Studies Annual conference, N/A
2017 Cheng, Fan-Ting, The Aesthetics of Contemporary Musicals in Taiwan., 15th Annual Hawaii International Conference of Arts and Humanities, Honolulu, U.S.A., N/A
2016 Cheng, Fan-Ting, Choreographing the Unmarked: Jade Y Chen’s Mazu’s Bodyguards〔舞動未標記者:陳玉慧《海神家族》〕, The 2016 Joint Conference of the Congress on Research in Dance and the Society for Dance History Scholars, N/A
2016 鄭芳婷, Performing Against the Grand: Jade Y Chen’s Mazu’s Bodyguards〔拒抗宏大:以陳玉慧《海神家族》為例〕, 全球化年代的在地展演:2016臺大劇場國際學術研討會, Taiwan
2016 鄭芳婷, 當代戲曲傳統的跨亞流動:徐堰鈴《踏青去》的梁祝敢曝, 「第二屆文化流動與知識傳播——臺灣文學與亞太人文的多元關係」國際學術研討會, Taiwan
2015 Cheng, Fan-Ting, “In Search of a Minor-transAsian Body: Mo-Lin Wang’s Antigone (2013)” 〔尋構微跨亞身體美學:王墨林《安蒂岡妮》〕, Subjectivities and Cultural Fluidity in Chinese Societies: a Symposium on Arts and Cultures, N/A
2015 鄭芳婷, 根莖化劇場政爭:王墨林《安蒂岡妮》與讀演劇人《玫瑰色的國》, 第十三屆國際青年學者漢學會議, Taiwan
2015 鄭芳婷, 創傷想像與分岔戰術:以2013年白衫軍運動為例, 文化研究學會2015年會, Taiwan
2015 Cheng, Fan-Ting, Performing the National Uncanny of Taiwan: Wang Mo Lin’s A Soldier’s Pay (2004)” 〔展演台灣之國族詭奇:王墨林《軍史館殺人事件》〕, Association for Asian Studies Annual conference, N/A
2014 Cheng, Fan-Ting, “Minor-transnationalizing a Feminist Act: Lin Yu-Han’s Roaming Flowers (2008)” 〔微跨國女性主義行動:林玉涵《自由行走的花》〕, 23nd Columbia Graduate Student Conference on East Asia, N/A
2013 Cheng, Fan-Ting, “National Melancholia And Female Narration: Jade Y. Chen’s Intercultural Musical Mazu’s Bodyguards.” 〔國族鬱結與女性敘述:陳玉慧之跨文化音樂劇《海神家族》〕, Women and Theatre Program, Association for Theater in Higher Education 2013 Annual Conference, N/A
2013 Cheng, Fan-Ting, “Queering Taiwanese Nationality: Jade Y. Chen’s Intercultural Musical Mazu’s Bodyguards.” 〔酷兒台灣國族性:陳玉慧之跨文化音樂劇《海神家族》〕, Association for Asian Performance 2012 Annual Conference, N/A
2013 Cheng, Fan-Ting, “Gender/National Abjection: Female Characterizations in Republic of China Centennial Celebration Musical Dreamers” 〔性別與國族賤斥:中華民國建國百年音樂劇《夢想家》中的女性角色分析〕, 12th The Hawaii International Conference on Social Sciences., N/A
2013 Cheng, Fan-Ting, “Choreographing a Tactical Taiwan: The Body and Politics in Wang Mo-Lin’s My Body, My Country.” 〔戰略性台灣:王墨林《我的身體、我的國家》〕, Congress on Research of Dance 2013 Special Topics Conference Tactical Bodies: The Choreography of Non-Dancing Subjects, N/A
2013 Cheng, Fan-Ting, “In Search of A Genuine Taiwanese Theater: Lou Lan Nu by Contemporary Legend Theater” 〔尋索台灣劇場:當代傳奇劇場《樓蘭女》〕, 11th The Hawaii International Conference on Arts and Humanities, N/A
2012 Cheng, Fan-Ting, “Choreographing Melancholic Transgression: The Techno Nezha in Taiwanese Taoist Ceremony” 〔鬱結的僭越性:台灣道家慶典中的電音三太子〕, Congress on Research of Dance 2012 conference, Re-generations: Cultural Legacies in Contemporary Contexts, N/A
2012 Cheng, Fan-Ting, “Not Just Lolitas: The Potential of Identity Education in Child Belly Dancing” 〔不只是蘿莉塔:兒少肚皮舞的另類新世代教育潛力〕, Dance and the Child International (daCi) and the World Dance Alliance (WDA) 2012 Conference, N/A
2012 Cheng, Fan-Ting, “Dreamers’s Nightmare: The Melancholia of Taiwanese Centennial Celebration.” 〔夢想家之夢魘:台灣百年國慶之鬱結〕, Association for Asian Performance 2012 Annual Conference, N/A
2012 Cheng, Fan-Ting, “Choreographing Queer: The Taiwanese Dancer Essa Wen’s Hippie Belly.” 〔舞動酷兒:台灣舞者聞子儀 《嬉皮肚皮》〕, Congress on Research of Dance 2012 Special Topics Conference. Meanings and Makings of Queer Dance, N/A
2011 Cheng, Fan-Ting, “Exoticized Locality: (Re)producing Taiwan Through Intercultural Belly Dance.” 〔異國化的本土性:跨文化東方舞中的台灣創造〕, Association for Asian Performance 2011 Annual Conference, N/A
2011 Cheng, Fan-Ting, “Choreographing Queer: Taiwanese Belly Dance Community.” 〔舞動酷兒:台灣東方舞社群分析〕, Women and Theatre Program Debut Panel of Association for Theater in Higher Education 2011 Annual Conference, N/A
國家 學校名稱 系所 學位 期間
USA University of California, Los Angeles Theater and Performance Studies PhD 2010.08 ~ 2014.07
USA New York University Performance Studies MA 2009.05 ~ 2010.06
國立臺灣大學 歷史系、戲劇系 雙主修